Forty-one nights in front of arena crowds, including ten nights in one building in LA and eleven in Brooklyn — residencies where a dated, per-night edition becomes a collect-them-all set. One note on sizing: our house rule for support slots is 10% of the room = copies printed, but that rule was written for clubs; at 19,000-cap arenas we've defaulted the lever to 1% of capacity (~180 copies a night). It's one drag to move it anywhere.
One design for the whole run, sold at every stop and online, closed forever when the tour ends. Simpler, batch-printed to demand — no per-city collectible story, so it earns a lower price point.
A unique newspaper for each night — the city, the date, the setlist, the writing. Run sized to the night; when it sells out, that edition is gone forever. Scarcity is real and dated, so it carries a higher price point than a poster.
They combine well: per-night editions at the shows, the open edition online only — the collector object and the accessible one, without either undercutting the other.
End-to-end. Event production with H&M and Highsnobiety. Production for Nike. TikTok marketing for Noah Kahan. Creative direction with over 20 artists across genres. We stock our own newspapers through our own global distribution — Magculture, Yvon Lambert, Skylight, Quimby's.
Design, print, logistics, promo, distribution — one team, one pipeline. Full-size newsprint where every spread opens into a wall poster, with real writing on the backs. Your team approves at concept, layout, and final. We run the rest.
Pick the structure first — the products below work under either.
Wide Open pays for everything — design, print, shipping. Costs recoup off the top, then the net splits 60/40 in the artist's favor. You write no checks and carry zero risk.
You cover production at cost plus our design & production fee, and keep everything else. More money, small upfront — the right call if you're confident in the run.
These are base prices — scope-specific and negotiable as a bundle.
One design, the whole run, closed forever at the end. Batch-printed to demand.
Every number is a lever — drag them and the budget recalculates across all 41 nights.
Capacities are each arena's published concert figure (venue-official where sources conflict) — ceilings, not sellable counts on a given production. True them against ticketed capacity and every row recalculates. Support-slot sizing and the merch-table channel are exactly what we'd align with tour production on the call. Devon's own headline dates (MOTH Club, London, Aug 20) sit inside the print window and aren't modelled.
The artist newspaper has half a century of collector history — priced like art, not merch.
Printing and shipping take a week. The only real time variable is design.